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| 008 | 220815b |||||||| |||| 00| 0 eng d | ||
| 040 | _cAKCL | ||
| 082 |
_a801.95 _bRIC-P |
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| 100 | _aRichards, I.A. | ||
| 245 |
_aPrinciples of Literary Criticism / _cby I.A. Richards |
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| 260 |
_aLondon: _bRoutledge and Kegan Paul, _c1963 |
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| 300 | _ap.298 | ||
| 520 | _aFirst published in 1924, Principles of Literary Criticism is a landmark work that transformed the study of literature from a subjective "appreciation" into a rigorous, quasi-scientific discipline. I.A. Richards argues that criticism should be rooted in a firm understanding of psychology—specifically, how the human mind responds to the impulses generated by language and art. Richards famously introduces the concept of "The Two Uses of Language": the scientific (referential) and the emotive. He posits that the value of poetry lies in its ability to organize our conflicting "appetencies" or impulses, creating a state of psychological balance. This book laid the groundwork for the New Criticism movement, emphasizing "Close Reading" and the idea that a poem should be analyzed as an independent object rather than through the biography of the author or its historical context. | ||
| 650 | _aLiterature | ||
| 650 | _aPhilosophy and Theory | ||
| 650 | _aEnglish Literary Criticism | ||
| 942 | _cBK | ||
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_2ddc _n0 |
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| 999 |
_c28316 _d28316 |
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